| ANNETTE SOLYST | VOYAGES |
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I remember well how glad I was to finally be on my way to Varanasi. Travelling around India, I would hear on a bus, train, or plane that Varanasi was "overwhelming, simply magic". Armed with such praise for the city, I departed Agra
still shrouded in a chilly, early morning fog. The Indian Airlines flight, packed to capacity, was uneventful except for the fellow passenger seated next to me. Jolly and eager to please, his Kohl-rimmed eyes smiling at me jovially, he explained that he worked for the airline. To prove it to me, he made considerable demands on the flight attendant to get softdrinks, coffee, as well as tea, which he urged on me in Indian hospitality.
I took his kindness as a good omen for the visit to Varanasi, also known as Benares. The city conjures images of a most exotic kind: the sacred Ganges, innumerable places of worship, winding alleys filled with shops selling the famous silks of the area, pilgrims, gurus, and finally the ghats - steps leading down to the river. |
Ghats of Varanasi |
![]() Temple |
![]() Ganga Fisherman |
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Encountering India for the first time, the masses of people everywhere, the closeness of humanity, is unsettling at first and takes some getting used to. There seems to be no elbow room in the cities, and Varanasi is no exception. The local population of well over a million is supplemented every day by thousands upon thousands of pilgrims and tourists from all over the world. Everyone shares the city with the largest contingent of cows I ever encountered roaming freely in an urban setting. These cows were moving about everywhere and had right-of-way in every instance. Mostly, they were kindly tolerated wherever they happened to lay or stand. At worst, they were gently shoved aside to make room for a cardload of merchandise being hauled through a narrow lane. They also gave Varanasi its own, peculiar scent: a mixture of incense and cowbarn.
Looking for a place to eat one afternoon, I happened upon a little hole-in-the-wall that had been described as a garden restaurant by a well-known travel guide. The garden was a small square in the back of a house. A mixture of plastic patio furniture gave way to the immediate neighborhood: a Shiva temple with a most ornately carved entry gate where a young Indian and a light-colored cow dazed in the warm sun, and a barn yard, where several oversized water buffalo were tethered to posts. Plastered onto the surrounding walls were cow patties, waiting to dry and be pried off for sale and use. It gave the restaurant a rather unique character; to my surprise, it didn't affect my appetite too badly. The food, though simple, was fresh and prepared right in front of me.
One of Varanasi's main attractions are the ghats. They are a series of shallow steps leading from street level down to the river. About a hundred of these are strung along the riverbank. Their purpose is to lead the pilgrims into the sacred river for a dip and prayers.
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Dream Cow Climbing |
![]() Tabla & Ganga |
![]() Eggplant Seller |
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The river is calm as we shove off. Little specks of light float on its edge - flickering candles set out by early arrivals. A weather-beaten houseboat drifts in the distance, toward the Eastern bank of the Ganga. We move downstream smoothly, hardly making a sound. The oarsman and guide are immersed in thought and appear withdrawn. Buildings along the bank become clearer in the light of dawn.A few dozen shallow steps lead down to the river from here. On both sides of these, I saw dark piles in the darkness. It looked like bundles of blankets that had been collected and stacked along the steps. Looking more closely, I noticed that these bundles were no inanimate objects at all; rather, they were masses of homeless people wrapped up completely and huddled together against the chill of the night.
As it gets lighter, I discern more and more pilgrims taking the dip into the water, all the while chanting prayers. Women bathe discreetly in their silk saris, the men are bare-chested. Immersed in their activities, they don't seem to pay any attention to the tourists floating by.
We pass by ghats where men stand hip-deep in the river, pounding laundry on rocks. Nearby, on steps, the laundry is laid out to dry. We pass the cremation ghats, where piles of ashes still smolder from the previous evening's funeral pyres. On the river, a few fishermen are out for their morning catch. In an old wooden boat, a fisherman with a large turban wrapped around his head looks like someone who may have done the same, looked the same, a thousand years ago. Each morning on the river has a timeless quality. Pilgrims come and take their ritual baths in the Ganges, Brahmin priests sit by the bank and chant prayers, and others make their last journey in this life, their ashes becoming part of the river. The rising sun casts an orange glow over water and city, a mosque appears in the hazy distance and Varanasi shows its magical face. |
View of Varanasi |
Dawn on Ganga |
Riverscene |
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Nothing could contrast more intensely with the calm detachment of observing life by the river than re-entering the world of everyday city life. I wander up the ghats that by now, mid-morning, are crowded and teem with life and color. All merchants' stalls are open for business and food and chai are being prepared everywhere. There is a festive air around me, laughter and smiles on the faces of pilgrims who have made the journey to this holy city. Entire families are spread out beneath the shade of umbrellas and reed sunscreens, looking out over the river; children run about excitedly. A barber, his shop a wooden box to sit on, does brisk business as he shaves his customers with a dangerous-looking razor. A cow climbs the steps laboriously; I vaguely remember a dream that puzzled me years ago in which I saw exactly such a scene.
I wander along the local chouk - the fruits and vegetables on display would be a painter's delight. Dark purple eggplant, neatly stacked near fiery red peppers and piles of small bananas. An open cart of popped corn, a cow being shooed away by a woman hovering protectively over her baskets of tomatoes and onions. An open sewage ditch stagnant between shops and market stalls. And ever-present, in droves, the mass of people walking, shoving, strolling; hurrying or nonchalantly going their way, headed inevitably toward the "great intersection" in this part of the city. It is a sight to behold: four busy, main arteries intersecting without any traffic signs and a dead, old red-light dangling forlornly above the chaos that unfolds around me. There is no demarcating line between people on foot and roaring trucks, cows, buses, honking taxis, rikshas, motorcycles, bicycles, simple farm carts drawn by mules or men, and more cows. They are all pushing their way through the heart of the crossing at the same time, moving in opposite directions. |
Silkshop |
Devotees |
Red Pepper |
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It seems laughable at first, I stare in utter disbelief but rapidly get caught up in this maelstrom of traffic, all the while using every survival skill at my disposal to make it across to the other side.
Eventually, thankfully, I make it across and find a taxi to take me back to the cantonment. The driver requests a downpayment. He explains that he needs to get gas before he can take me the few miles to my hotel. - As I get closer to Clark's Hotel, another world seems to unfold. The congestion of the old part of Varanasi gives way to broad avenues, houses with buffers of space around them, little traffic and hardly any people on the street. This part of town almost has a movie-style quality to it; the India that lets me envision Alec Guiness strolling the grounds next to carefully potted dahlias, or Peggy Ashcroft reclining in a comfortable lounge chair with her cup of tea. As such, it appeared almost like a set for Masterpiece Theater - unreal compared to the world 'outside'.
That, however, was a constant note everywhere in India: contrast; the extremes of abundance and poverty, uncountable homeless people making their bed on sidewalks next to shops selling anything money can buy; chaotic congestion and immeasurable vastness of open spaces. It is a place that requires a deeper immersion, more time and effort, and more patience on the part of a traveler than any other country I ever visited. It fascinates one minute and is puzzling the next; but mostly it teaches and never stops beckoning me to return. |
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